Collaboration with choreographers/Music for dance: Karin Vyncke, Olga Mesa, Enzo Pezzela, Fernando Martin Lopez, Monica Marti
Collaboration with Karin Vyncke
The music I created for Kreuset were among my first compostions.
I started improvising in this period, thanks to Karin and Jan Kuijken! Very fine equipe and collaboration.
After "Kreuset" I composed and recorded music for Karin’s choreography "Could can be", I played piano compositions for the film "Tristitia" with music by Jan Kuijken. This BRT production, was awarded the SACD First Prize for the best music composition for dance ,June 1992.
Much later, in 2013, we worked together for the Beeldenstorm project “KLOKKENLUIDERS” .
Collaboration with Pierre Droulers/Baudouin De Jaer
Collaboration on 'Jamais de l'abîme' by Pierre Droulers, music by Baudouin de Jaer (Oct 1992)(piano solo,duo,and with orchestra)
Collaboration with Olga Mesa/ Charo Calvo
Lugares intermedios, music for violin, cello and voice. Composition for choreography by Olga Mesa, i.c.w. Charo Calvo. Madrid, 1992
Collaboration with Enzo Pezzella
L'arrivée de mon départ': Brass, saxophone, strings and sonorous installations. Composition for choreography by Enzo Pezzella. Brussels, March 1993 (+ international tour)
In Bilico: composition for horn, electric guitar and accordion. Composition for choreography by Enzo Pezzella. Brussels, February 1999 (+ international tour)
Collaboration with Fernando Martin Lopez and Monica Marti
Te forras: music for cello and soundtrack. Composition for choreography by Fernando Martin Lopez and Monica Marti. Brussels, September 1996 (+ international tour)
Pero qué dice, Tolgaz?': Cello and oboe. Composition, in collaboration with Michel Boulanger and Rafaël Palacios, for choreography by F. M. Lopez. Brussels, August 1997 (+ international tour).